One of Duayne Hatchett’s more experimental works on paper, this piece reflects his sculptural thinking in two dimensions. Though it appears intuitive, the process is carefully constructed: Hatchett used one of his own metal sculptures as a three-dimensional printplate, spray-painting over its surface to capture a negative imprint on paper. The result is graphic yet atmospheric, reflecting his commitment to bridging the boundaries between sculpture, drawing, and abstraction. There’s a quiet tension in the surface, as if the image is still deciding whether to settle or dissolve.

Signed by the artist.